Lyn Hejinian and Barrett Watten are across the world famous poet/critics. jointly they edited the hugely influential Poetics magazine, whose ten matters, released among 1982 and 1998, contributed to the surge of curiosity within the perform of poetics. A advisor to Poetics Journal provides the foremost conversations and debates from the magazine, and invitations readers to extend at the severe and artistic engagements they represent.
In making their choices for the advisor, the editors have sought to exhibit more than a few leading edge poetics and to point the range of fields and actions with which they could be engaged. The advent and headnotes by way of the editors offer ancient and thematic context for the articles.
The consultant is meant to be of sustained inventive and lecture room use, whereas the better half Archive of all ten problems with Poetics Journal permits clients to remix, remaster, and expand its practices and debates.
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Additional resources for A Guide to Poetics Journal: Writing in the Expanded Field, 1982–1998
The concept of a right-brainleft-brain dichotomy bobs up ludicrously in my head, making its pretensions to archetypicality. The last of the four lines, rather than offering a sense of completion or resolution, shows, in its understatement and its lack of either sensation or image, the project of unification or identity lost in the dust, little uncapitalized monosyllables without even a capital I to grant authority, the word “fit” echoing “if,” “in,” “it,” “split,” ridiculous in its helplessness to make good for them.
There was also, in much work we published, a resistance to dominant narratives—of opposing the Vietnam War and supporting the civil rights movement, for instance—that gave meaning to the artistic strategies of the i ntroduction 19 counterculture. Seeing these strategies as historical and yet diverging from any singular meaning or larger grand narrative suggested, as well, an emerging consensus for a postmodern refusal of narrative. Fredric Jameson’s notion of “the waning of affect” among postmoderns—who could not hold the present together with the protensions and retentions of history and were thus confined to mere intensities, nostalgia, pastiche, and spatial dislocation, a notion put forth in his “Postmodernism” essay—offered a direct challenge to our work.
In the lead article, “The Problem of the Self in Recent American Poetry,” Norman Finkelstein theorized the inescapable horizon of the person in lyric poetry, no matter how strenuously some poets would seek an alternative to self. ” In our view, experimental poetics contests the normative account of the person, seeing it as a site of difference, nonidentity, and conflict as much as identity. Kofi Natambu’s “Multicultural Aesthetic” and Harryette Mullen’s “Miscegenated Texts and Media Cyborg” argued for a poetics of culturally diverse and mediated personhood, while Kit Robinson’s “Time and Materials: The Workplace, Dreams, and Writing” saw the person as necessary for social structures of late capitalism as a baseline psychological reality.
A Guide to Poetics Journal: Writing in the Expanded Field, 1982–1998