By ALBERT TEN EYCK; FELD, STUART P. GARDNER
This can be the 1st specified catalogue that has been released of the Museums American work. due to the measurement of the gathering, merely oil work by means of artists born by way of 1875—about part the collection—are integrated. runs 3 volumes the current quantity comprises the paintings of painters born by way of 1815.
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This can be the 1st specified catalogue that has been released of the Museums American work. as a result of measurement of the gathering, in basic terms oil work by way of artists born via 1875—about part the collection—are integrated. runs 3 volumes the current quantity includes the paintings of painters born via 1815.
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Extra resources for American paintings: A catalogue of the collection of the Metropolitan Museum of Art. Volume I: Painters born by 1815
J. Nelson Borland; Mrs. Orme Wilson. GIFT oF MRs. 0RME WILSON, IN MEMORY oF HER PARENTs, MR. AND MRs. J. NELSON BoRLAND, 1959. Oil on canvas, 27Yz x 44Yz in. REFERENCEs: A. T. Perkins, John Singleton Copley (1873), p. 89, describes this painting; mentions a smaller version of the same subject, the composition reversed, then in the possession of Mrs. C. B. Raymond, Boston I I A. T. Gardner, Met. Mus. , xx (1962), pp. 257-263, reproduces the engraved source; says the Casali engraving was based on a theat- Mrs.
Richard Galloway,Jr. , in I7I5. They lived at Galloway's ancestral home, Cedar Park, where their only child, Elizabeth, was born in 1721. Although Hesselius frequently followed the fashionable manner of Wollaston, his portraits of Quaker women, including this one, are closely allied in spirit to the austere images that Joseph Badger was painting in New England. The marble-topped table and scrolled console in the window appear in other portraits by Hesselius and undoubtedly represent borrowings from one or more contemporary British mezzotints.
Arthur E. S. Seguin, New York (r852-r888); Mrs. Edward S. R. Seguin, New York (1888-r923). " As the royal painter, West was requested to draw up a list of subjects from the Bible. Religious paintings for churches were frowned on at the time in England, but after receiving clerical approval, West immediately turned to the project; he worked on it sporadically until r8or, when he was discharged by James Wyatt, royal architect and recently appointed president of the Royal Academy. This painting, done in 1794, is a sketch for a stained-glass window intended for the west end of the chapel.
American paintings: A catalogue of the collection of the Metropolitan Museum of Art. Volume I: Painters born by 1815 by ALBERT TEN EYCK; FELD, STUART P. GARDNER